Rowdy Fellow Review and Rating
Rating:3/5
Starring : Nara Rohit, Vishakha Singh
Director : Krishna Chaitanya
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The CONTENT:
Rana (Nara Rohith) is a rich brat who goes to do anything for the sake of satisfying his ego. One day a police SP (Ahuti Prasad) hurts his ego by holding his collar and that leads Rana to join police department as an SI such that he could take revenge on SP. However, he realizes the real-issues of people after taking charge as SI of Eluru rural police station. That leads to a confrontation with local MP, the dreaded Asuragana Durga Prasad (Rao Ramesh) who takes Kolleru lake under his control for illegal activities. Meanwhile Rana falls in love with SP’s daughter Megha (Visakha Singh). How Rana handles MP and his henchmen, and what happens to his ego with SP forms the rest of story.
The EFFORT :
On-Screen:
Nara Rohit is a treat to watch as he delivers even the tongue-twisting dialogues with ease. His body language as an egoistic person just connects with everyone. But he needs to improvise his expressions during emotional scenes, as he just passed with grace marks. To portray mass characters, he has fully loaded rugged look and used it quite well for Rowdy Fellow.
Posani Krishnamurali and Satya (Swamy Ra Ra fame) have stolen the show completely with their comedy timing. In every scene, they make you laugh to the core with their stylish dialogue delivery. Posani stuns as a theatre owner in the role of Silk, while Satya’s typical Sunil-style comedy is a standalone treat.
Rao Ramesh simply stuns again with his strong expressions. And the way he delivers every single dialogue with intensity make us stare at him jaw-dropped. Also Ajay has done good job as brother of Rao Ramesh, and he is strong enough to encounter with any hero.
Visakha Singh has quite insignificant role in the flick and she managed with so-so acting. Too much of her scenes might have hindered the flow but Satya’s comedy tagged to her scenes did the magic.
Gollapudi Maruthi Rao and 30 years Pruthvi have some single scenes to showcase their best and they have done it.
Off-Screen:
Debutant director Krishna Chaitanya had wonderful grip on screenplay it seems. Influence of Hollywood’s finest makers like Quentin Tarantino could be noticed in his work. He extracted pretty laudable performances from every actor. The way he conceived every single shot with amazing intensity is what makes Rowdy Fellow interesting. Though a simple story was picked up, it’s Chaitanya’s narration skills that startle. Also he seems to have knack for revolutionary and society-uprising literature and that could be felt in dialogues. “Aakalitho vunna jantuvu kanna, Aasatho vunna manishi pramadham” and the dialogue say it all about director’s ideologies. But he faltered a little bit to maintain pace and he needs to correct that aspect.
Apart from direction, cinematography by Om (a protégé of PC Sreeram) and background music by Sunny stands as two pillars for Rowdy Fellow. For every scene, the way each shot is opened and closed, the way rugged locales of Kolleru area are made to look brilliant and the camera angles simply mesmerize us. At the same time, Sunny has given a westernized score for the whole movie kicking the graph of neutral scenes to an upper scale. All other departments have done all to match up with the movie flow.
The PLUSES:
Nara Rohith
Posani and Satya’s comedy
Philosophical dialogues
First Half
The MINUSES:
Predictable scenes, slow narration
Fragile climax
Nara Rohit is a treat to watch as he delivers even the tongue-twisting dialogues with ease. His body language as an egoistic person just connects with everyone. But he needs to improvise his expressions during emotional scenes, as he just passed with grace marks. To portray mass characters, he has fully loaded rugged look and used it quite well for Rowdy Fellow.
Posani Krishnamurali and Satya (Swamy Ra Ra fame) have stolen the show completely with their comedy timing. In every scene, they make you laugh to the core with their stylish dialogue delivery. Posani stuns as a theatre owner in the role of Silk, while Satya’s typical Sunil-style comedy is a standalone treat.
Rao Ramesh simply stuns again with his strong expressions. And the way he delivers every single dialogue with intensity make us stare at him jaw-dropped. Also Ajay has done good job as brother of Rao Ramesh, and he is strong enough to encounter with any hero.
Visakha Singh has quite insignificant role in the flick and she managed with so-so acting. Too much of her scenes might have hindered the flow but Satya’s comedy tagged to her scenes did the magic.
Gollapudi Maruthi Rao and 30 years Pruthvi have some single scenes to showcase their best and they have done it.
Off-Screen:
Debutant director Krishna Chaitanya had wonderful grip on screenplay it seems. Influence of Hollywood’s finest makers like Quentin Tarantino could be noticed in his work. He extracted pretty laudable performances from every actor. The way he conceived every single shot with amazing intensity is what makes Rowdy Fellow interesting. Though a simple story was picked up, it’s Chaitanya’s narration skills that startle. Also he seems to have knack for revolutionary and society-uprising literature and that could be felt in dialogues. “Aakalitho vunna jantuvu kanna, Aasatho vunna manishi pramadham” and the dialogue say it all about director’s ideologies. But he faltered a little bit to maintain pace and he needs to correct that aspect.
Apart from direction, cinematography by Om (a protégé of PC Sreeram) and background music by Sunny stands as two pillars for Rowdy Fellow. For every scene, the way each shot is opened and closed, the way rugged locales of Kolleru area are made to look brilliant and the camera angles simply mesmerize us. At the same time, Sunny has given a westernized score for the whole movie kicking the graph of neutral scenes to an upper scale. All other departments have done all to match up with the movie flow.
The PLUSES:
Nara Rohith
Posani and Satya’s comedy
Philosophical dialogues
First Half
The MINUSES:
Predictable scenes, slow narration
Fragile climax
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